Top 100 Movies from the 1970s¶
Topics¶
Top 100 List¶
- The Godfather (1972) - Directed by Francis Ford Coppola
- The Godfather Part II (1974) - Directed by Francis Ford Coppola
- Apocalypse Now (1979) - Directed by Francis Ford Coppola
- Taxi Driver (1976) - Directed by Martin Scorsese
- Chinatown (1974) - Directed by Roman Polanski
- A Clockwork Orange (1971) - Directed by Stanley Kubrick
- Star Wars (1977) - Directed by George Lucas
- Jaws (1975) - Directed by Steven Spielberg
- One Flew Over the Cuckoo's Nest (1975) - Directed by Miloš Forman
- Annie Hall (1977) - Directed by Woody Allen
- The French Connection (1971) - Directed by William Friedkin
- Alien (1979) - Directed by Ridley Scott
- Rocky (1976) - Directed by John G. Avildsen
- The Exorcist (1973) - Directed by William Friedkin
- Dog Day Afternoon (1975) - Directed by Sidney Lumet
- Monty Python and the Holy Grail (1975) - Directed by Terry Gilliam and Terry Jones
- Network (1976) - Directed by Sidney Lumet
- American Graffiti (1973) - Directed by George Lucas
- Close Encounters of the Third Kind (1977) - Directed by Steven Spielberg
- Barry Lyndon (1975) - Directed by Stanley Kubrick
- MAS*H (1970) - Directed by Robert Altman
- The Sting (1973) - Directed by George Roy Hill
- Deliverance (1972) - Directed by John Boorman
- The Deer Hunter (1978) - Directed by Michael Cimino
- Patton (1970) - Directed by Franklin J. Schaffner
- All the President's Men (1976) - Directed by Alan J. Pakula
- The Conversation (1974) - Directed by Francis Ford Coppola
- Papillon (1973) - Directed by Franklin J. Schaffner
- A Woman Under the Influence (1974) - Directed by John Cassavetes
- Mean Streets (1973) - Directed by Martin Scorsese
- Serpico (1973) - Directed by Sidney Lumet
- Midnight Cowboy (1969, but its influence carried into the 70s) - Directed by John Schlesinger
- The Wild Bunch (1969, similarly influential into the 70s) - Directed by Sam Peckinpah
- Badlands (1973) - Directed by Terrence Malick
- The Last Picture Show (1971) - Directed by Peter Bogdanovich
- Nashville (1975) - Directed by Robert Altman
- Cabaret (1972) - Directed by Bob Fosse
- The Rocky Horror Picture Show (1975) - Directed by Jim Sharman
- Solaris (1972) - Directed by Andrei Tarkovsky
- Days of Heaven (1978) - Directed by Terrence Malick
- Kramer vs. Kramer (1979) - Directed by Robert Benton
- Young Frankenstein (1974) - Directed by Mel Brooks
- The Man Who Would Be King (1975) - Directed by John Huston
- Blazing Saddles (1974) - Directed by Mel Brooks
- Don't Look Now (1973) - Directed by Nicolas Roeg
- The Towering Inferno (1974) - Directed by John Guillermin
- The Wicker Man (1973) - Directed by Robin Hardy
- Willy Wonka & the Chocolate Factory (1971) - Directed by Mel Stuart
- Grease (1978) - Directed by Randal Kleiser
- The Outlaw Josey Wales (1976) - Directed by Clint Eastwood
- Carrie (1976) - Directed by Brian De Palma
- The Gumball Rally (1976) - Directed by Charles Bail
- Harold and Maude (1971) - Directed by Hal Ashby
- The Texas Chain Saw Massacre (1974) - Directed by Tobe Hooper
- Superman (1978) - Directed by Richard Donner
- The Jerk (1979) - Directed by Carl Reiner
- Marathon Man (1976) - Directed by John Schlesinger
- The Omega Man (1971) - Directed by Boris Sagal
- The Godfather Part III (1990, but a continuation of the 70s saga) - Directed by Francis Ford Coppola
- Enter the Dragon (1973) - Directed by Robert Clouse
- The French Lieutenant's Woman (1981, but based on the mood and style of 70s cinema) - Directed by Karel Reisz
- The Duelists (1977) - Directed by Ridley Scott
- The Mirror (1975) - Directed by Andrei Tarkovsky
- The Spy Who Loved Me (1977) - Directed by Lewis Gilbert
- Death in Venice (1971) - Directed by Luchino Visconti
- Autumn Sonata (1978) - Directed by Ingmar Bergman
- The Last Detail (1973) - Directed by Hal Ashby
- Fiddler on the Roof (1971) - Directed by Norman Jewison
- The Pink Panther Strikes Again (1976) - Directed by Blake Edwards
- Murder on the Orient Express (1974) - Directed by Sidney Lumet
- The Three Musketeers (1973) - Directed by Richard Lester
- The Seven-Ups (1973) - Directed by Philip D'Antoni
- The Andromeda Strain (1971) - Directed by Robert Wise
- The Boys from Brazil (1978) - Directed by Franklin J. Schaffner
- Alice Doesn't Live Here Anymore (1974) - Directed by Martin Scorsese
- The Man Who Fell to Earth (1976) - Directed by Nicolas Roeg
- A Bridge Too Far (1977) - Directed by Richard Attenborough
- The Silent Partner (1978) - Directed by Daryl Duke
- The Hill (1975) - Directed by Sidney Lumet
- Scarecrow (1973) - Directed by Jerry Schatzberg
- Saturday Night Fever (1977) - Directed by John Badham
- The Conversation (1974) - Directed by Francis Ford Coppola
- The Last Waltz (1978) - Directed by Martin Scorsese
- The Hustler (1961, but its thematic continuation "The Color of Money" in the '80s reflects back on its influence) - Directed by Robert Rossen
- Shampoo (1975) - Directed by Hal Ashby
- The Shootist (1976) - Directed by Don Siegel
- The Goodbye Girl (1977) - Directed by Herbert Ross
- Coming Home (1978) - Directed by Hal Ashby
- The Great Gatsby (1974) - Directed by Jack Clayton
- Logan's Run (1976) - Directed by Michael Anderson
- The King of Marvin Gardens (1972) - Directed by Bob Rafelson
- Soylent Green (1973) - Directed by Richard Fleischer
- Play Misty for Me (1971) - Directed by Clint Eastwood
- The Parallax View (1974) - Directed by Alan J. Pakula
- The Omen (1976) - Directed by Richard Donner
- Mad Max (1979) - Directed by George Miller
- The Day of the Jackal (1973) - Directed by Fred Zinnemann
- Carnal Knowledge (1971) - Directed by Mike Nichols
- The Warriors (1979) - Directed by Walter Hill
- Escape from Alcatraz (1979) - Directed by Don Siegel
Other mentions¶
- Dirty Harry (1971) - Directed by Don Siegel
- The Conformist (1970) - Directed by Bernardo Bertolucci
- The Last Emperor (1978) - Directed by Bernardo Bertolucci
- Aguirre, the Wrath of God (1972) - Directed by Werner Herzog
- Picnic at Hanging Rock (1975) - Directed by Peter Weir
- The Discreet Charm of the Bourgeoisie (1972) - Directed by Luis Buñuel
- The Rocky Horror Picture Show (1975) - Directed by Jim Sharman
- Eraserhead (1977) - Directed by David Lynch
- The Man Who Would Be King (1975) - Directed by John Huston
- Cries and Whispers (1972) - Directed by Ingmar Bergman
- Solaris (1972) - Directed by Andrei Tarkovsky
- Sleeper (1973) - Directed by Woody Allen
- The Outlaw Josey Wales (1976) - Directed by Clint Eastwood
- Love and Death (1975) - Directed by Woody Allen
- The Towering Inferno (1974) - Directed by John Guillermin
- Papillon (1973) - Directed by Franklin J. Schaffner
- The Poseidon Adventure (1972) - Directed by Ronald Neame
- The Deer Hunter (1978) - Directed by Michael Cimino
- The Man Who Fell to Earth (1976) - Directed by Nicolas Roeg
- Harold and Maude (1971) - Directed by Hal Ashby
- Kramer vs. Kramer (1979) - Directed by Robert Benton
- Mad Max (1979) - Directed by George Miller
- The French Connection (1971) - Directed by William Friedkin
- The Warriors (1979) - Directed by Walter Hill
- The Conversation (1974) - Directed by Francis Ford Coppola
- Dog Day Afternoon (1975) - Directed by Sidney Lumet
- The Sting (1973) - Directed by George Roy Hill
- Annie Hall (1977) - Directed by Woody Allen
- The Wicker Man (1973) - Directed by Robin Hardy
- Five Easy Pieces (1970) - Directed by Bob Rafelson
- Badlands (1973) - Directed by Terrence Malick
- The Mirror (1975) - Directed by Andrei Tarkovsky
- Don't Look Now (1973) - Directed by Nicolas Roeg
- The Getaway (1972) - Directed by Sam Peckinpah
- McCabe & Mrs. Miller (1971) - Directed by Robert Altman
- Patton (1970) - Directed by Franklin J. Schaffner
- The Last Picture Show (1971) - Directed by Peter Bogdanovich
- Serpico (1973) - Directed by Sidney Lumet
- The Salzburg Connection (1972) - An overlooked thriller that captures the decade's mood.
- Being There (1979) - Directed by Hal Ashby
This list merges critical acclaim, popularity, and cinematic importance, reflecting the decade's diversity in storytelling, innovation, and style. The 1970s were a transformative period in cinema, paving the way for modern filmmaking and leaving a lasting legacy through these and many other films.